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		<title>Cerj Lalonde - Blog</title>
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		<link>http://cerjlalonde.wordpress.com/2010/12/11/132/</link>
		<comments>http://cerjlalonde.wordpress.com/2010/12/11/132/#comments</comments>
		<pubDate>Sat, 11 Dec 2010 10:37:10 +0000</pubDate>
		<dc:creator>Cerj Lalonde</dc:creator>
				<category><![CDATA[Art]]></category>

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		<description><![CDATA[MY &#8211; Art Basel Miami Beach ; www.myartbaselmiamibeach.com Originally, it was a way to conter the dominant curatorial class which litterally dominate the what is become the most academic art market of our time. Watch this short video &#8211; feel free to leave any comment. Thank you. Cerj Lalonde / www.cerjlalonde.com Filed under: Art<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cerjlalonde.wordpress.com&amp;blog=3677825&amp;post=132&amp;subd=cerjlalonde&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><em>MY &#8211; Art Basel Miami Beach</em> ; www.myartbaselmiamibeach.com<br />
Originally, it was a way to conter the dominant curatorial class which litterally dominate the what is become the most academic art market of our time.<br />
Watch this short video &#8211; feel free to leave any comment.<br />
Thank you.<br />
Cerj Lalonde / www.cerjlalonde.com</p>
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			<media:title type="html">Cerj Lalonde</media:title>
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		<link>http://cerjlalonde.wordpress.com/2010/09/08/117/</link>
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		<pubDate>Wed, 08 Sep 2010 09:15:00 +0000</pubDate>
		<dc:creator>Cerj Lalonde</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Fractal utopia]]></category>

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		<description><![CDATA[Many are asking why I cover in my work such a large variety of subjects matter and how this could make sense for me &#8211; or for others. I will come back on this subject more extensively, but let say for now that it is a matter of choice AND need for my own balanced [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cerjlalonde.wordpress.com&amp;blog=3677825&amp;post=117&amp;subd=cerjlalonde&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>
<a href='http://cerjlalonde.wordpress.com/2010/09/08/117/representatio-universalis-plain-full-1-2010-09/' title='Representatio Universalis - Politic / Identity / Science'><img data-attachment-id='118' data-orig-size='1855,2220' data-liked='0'width="125" height="150" src="http://cerjlalonde.files.wordpress.com/2010/09/representatio-universalis-plain-full-1-2010-09.jpg?w=125&#038;h=150" class="attachment-thumbnail" alt="Representatio Universalis - Politic / Identity / Science" title="Representatio Universalis - Politic / Identity / Science" /></a>

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Many are asking why I cover in my work such a large variety of subjects matter and how this could make sense for me &#8211; or for others.<br />
I will come back on this subject more extensively, but let say for now that it is a matter of choice AND need for my own balanced state of mind. I have always need to understand the many aspects of life and to find a way to express my explorations in that regard. I have always work to avoid unidimensionality to instead address universal values. In order to do so, multimedia exploration and universal curiosity appear to be the best practice for me.<br />
Here is a succinct extract of a &#8220;Mission Statement&#8221; (Part 1) I wrote few years ago:</p>
<p><em>&#8220;Over the years, I have covered a wide range of subjects rather than working with one major theme. Eventually, to bring coherence into apparent eclecticism, I conceived a global system of representation that I call REPRESENTATIO UNIVERSALIS*. It is divided into three major sections: Politics, Identity, and Science. Each section is subdivided into many categories and subcategories, allowing the integration of each and every artwork. This project grows from a global and holistic perspective of my practice as an artist and of its representation in a post-rational structure (See the project FRACTAL UTOPIA for additional details)&#8230;&#8221; </em><br />
C.L.</p>
<p>Here is also the Big Chart of the Project FRACTAL UTOPIA (A Dream of Global Understanding) titled REPRESENTATION UNIVERSALIS, the Latin for UNIVERSAL REPRESENTATION. I was very excited when I conceived this graphic representation, first because it made sense of a multidimensional practice and also because it allows me to integrate into it everything I did, everything I do, and everything I will ever do. I really do like this holistic integration of meaning. Here it is (As an uncompleted project): see picture.</p>
<br />Filed under: <a href='http://cerjlalonde.wordpress.com/category/art/'>Art</a> Tagged: <a href='http://cerjlalonde.wordpress.com/tag/fractal-utopia/'>Fractal utopia</a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/cerjlalonde.wordpress.com/117/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/cerjlalonde.wordpress.com/117/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/cerjlalonde.wordpress.com/117/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/cerjlalonde.wordpress.com/117/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/cerjlalonde.wordpress.com/117/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/cerjlalonde.wordpress.com/117/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/cerjlalonde.wordpress.com/117/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/cerjlalonde.wordpress.com/117/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/cerjlalonde.wordpress.com/117/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/cerjlalonde.wordpress.com/117/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/cerjlalonde.wordpress.com/117/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/cerjlalonde.wordpress.com/117/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/cerjlalonde.wordpress.com/117/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/cerjlalonde.wordpress.com/117/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cerjlalonde.wordpress.com&amp;blog=3677825&amp;post=117&amp;subd=cerjlalonde&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
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			<media:title type="html">Cerj Lalonde</media:title>
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			<media:title type="html">Representatio Universalis - Politic / Identity / Science</media:title>
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		<link>http://cerjlalonde.wordpress.com/2010/09/05/104/</link>
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		<pubDate>Sun, 05 Sep 2010 09:32:46 +0000</pubDate>
		<dc:creator>Cerj Lalonde</dc:creator>
				<category><![CDATA[Art]]></category>

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		<description><![CDATA[I agree with the similarities you underline between my art and ancient Tantrik compositions, forms and symbolic &#8211; for many are actually very abstract. There are universal linguistic structures at play in abstract composition that make them trans-culturally recognizable. It is this &#8220;universal&#8221; aspect of things and beings that I particularly enjoy analyzing and exhibiting. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cerjlalonde.wordpress.com&amp;blog=3677825&amp;post=104&amp;subd=cerjlalonde&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>I agree with the similarities you underline between my art and ancient Tantrik compositions, forms and symbolic &#8211; for many are actually very abstract. There are universal linguistic structures at play in abstract composition that make them trans-culturally recognizable. It is this &#8220;universal&#8221; aspect of things and beings that I particularly enjoy analyzing and exhibiting.<br />
The particular in the general, and the general in the particular.<br />
Cerj </p>
<p>http://www.cerjlalonde.com</p>
<a href="http://cerjlalonde.wordpress.com/2010/09/05/104/#gallery-1-slideshow">Click to view slideshow.</a>
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			<media:title type="html">Cerj Lalonde</media:title>
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		<title>Anonymous Dancer/ Danceur anonyme &#8211; 1a&#8230;</title>
		<link>http://cerjlalonde.wordpress.com/2010/08/25/97/</link>
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		<pubDate>Thu, 26 Aug 2010 04:01:07 +0000</pubDate>
		<dc:creator>Cerj Lalonde</dc:creator>
				<category><![CDATA[Art]]></category>

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		<description><![CDATA[Oklahoma &#8211; 2065, Anonymous Dancer/ Danceur anonyme &#8211; 1a Oil Ink &#38; Collage on Paper, 20 x 27&#8243; 1982 Filed under: Art<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cerjlalonde.wordpress.com&amp;blog=3677825&amp;post=97&amp;subd=cerjlalonde&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>
<a href='http://cerjlalonde.wordpress.com/2010/08/25/97/collage-1b-w-oklahoma-2065-1a/' title='Collage - 1b-+w- Oklahoma-2065-1a'><img data-attachment-id='98' data-orig-size='726,864' data-liked='0'width="126" height="150" src="http://cerjlalonde.files.wordpress.com/2010/08/collage-1b-w-oklahoma-2065-1a.jpg?w=126&#038;h=150" class="attachment-thumbnail" alt="Collage - 1b-+w- Oklahoma-2065-1a" title="Collage - 1b-+w- Oklahoma-2065-1a" /></a>
Oklahoma &#8211; 2065,<br />
Anonymous Dancer/ Danceur anonyme &#8211; 1a<br />
Oil Ink &amp; Collage on Paper, 20 x 27&#8243;<br />
1982</p>
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			<media:title type="html">Cerj Lalonde</media:title>
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		<link>http://cerjlalonde.wordpress.com/2010/08/24/93/</link>
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		<pubDate>Wed, 25 Aug 2010 01:29:19 +0000</pubDate>
		<dc:creator>Cerj Lalonde</dc:creator>
				<category><![CDATA[Art]]></category>

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		<description><![CDATA[Allo Chantal, Je t&#8217;envoie ce&#8230; juste pour te donner une idée de la diffusion internationale (et non seulement américaine), tout au moins dans nos sociétés postindustrielles, de ces nouvelles technologies « marketing ». Ces technologies marketing sont regroupées en tactiques et stratégies, assemblées (comme dans un « CLOUD ») dans un « groupe », en [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cerjlalonde.wordpress.com&amp;blog=3677825&amp;post=93&amp;subd=cerjlalonde&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>
<a href='http://cerjlalonde.wordpress.com/2010/08/24/93/one-free-world-for-all-1-1-3/' title='One Free World for All - 1.1'><img data-attachment-id='94' data-orig-size='1256,1160' data-liked='0'width="150" height="138" src="http://cerjlalonde.files.wordpress.com/2010/08/one-free-world-for-all-1-12.jpg?w=150&#038;h=138" class="attachment-thumbnail" alt="One Free World for All - 1.1" title="One Free World for All - 1.1" /></a>
Allo Chantal,<br />
Je t&#8217;envoie ce&#8230; juste pour te donner une idée de la diffusion internationale (et non seulement américaine), tout au moins dans nos sociétés postindustrielles, de ces nouvelles technologies « marketing ».<br />
Ces technologies marketing sont regroupées en tactiques et stratégies,  assemblées (comme dans un « CLOUD ») dans un « groupe », en tandem  pour mieux rejoindre, atteindre un ou des publics ciblés (The marketing equation : interropt+engage+educate+offer).<br />
Par ailleurs, un public peut aussi être sélectionné, choisi, et engagé plus spécifiquement en tant que « marché », dans un processus d’échange, précisément dan la vente de biens/produits culturels  générateurs de revenu et de capital de croissance et de développement. Revenu et capital, pour ce qui en est de FRACTAL UTOPIA, investis dans la croissance et le développement de nos qualités, habilitées et capacités à diffuser et distribuer les idées-valeurs (concepts) et les contextes-installations engageant les publics dans la réflexion, l’imagination et l’action visant à stimuler nos « rêves » d’un « monde meilleur ».<br />
Ce rêve est fonctionnel (à l&#8217;analyse) et structurellement existentiel, caractéristique de notre espèce d’<em>homo sapiens-sapiens</em> (rites funéraires, paradis, amour universel, société juste) depuis plus de 250,000 années, générés que nous sommes et divergeant aussi de l’<em>australopithèque</em> et de l’<em>homo erectus</em> évoluant il y a plus d’1.3 million d’années. Notre urgence à « créer » des « solutions » pour notre espèce est maintenant imposée par notre transition « révolutionnaire » vers une espèce d’<em>homo sapiens-sapiens-sapien</em>s, ou <em>homo sapiens-sapiens-techno-sapiens</em>, alors que nous intégrons notre « techno-savoir » non seulement à notre « culture », mais aussi à notre organisme biologique dans une fusion <em>techno sapiens</em> &#8220;évoluant&#8221; à un rythme d’accélération logarithmique.</p>
<p>Je me laisse un peu aller à l’ « écriture automatique » ici, sans trop en vérifier la structure logico-linguistique, mais il y aura des bribes à garder ici et là… qui peuvent servir de base de discussion et de&#8230;</p>
<p>C.L.</p>
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			<media:title type="html">Cerj Lalonde</media:title>
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			<media:title type="html">One Free World for All - 1.1</media:title>
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		<title>Want to take a look at this first &#8220;proof&#8221; of a new book:</title>
		<link>http://cerjlalonde.wordpress.com/2010/05/28/want-to-take-a-look-at-this-first-proof-of-a-new-book/</link>
		<comments>http://cerjlalonde.wordpress.com/2010/05/28/want-to-take-a-look-at-this-first-proof-of-a-new-book/#comments</comments>
		<pubDate>Sat, 29 May 2010 03:41:37 +0000</pubDate>
		<dc:creator>Cerj Lalonde</dc:creator>
				<category><![CDATA[Art]]></category>

		<guid isPermaLink="false">http://cerjlalonde.wordpress.com/?p=78</guid>
		<description><![CDATA[The Multiple Faces &#8211; 1-160 by Cerj Lalonde &#124; Make Your Own Book Filed under: Art<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cerjlalonde.wordpress.com&amp;blog=3677825&amp;post=78&amp;subd=cerjlalonde&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div style="text-align-left;">        <object width="450" height="300"><param name="allowFullScreen" value="true"></param><param name="allowScriptAccess" value="always"></param>      	  <embed src="http://www.blurb.com/assets/embed.swf?book_id=1377889" type="application/x-shockwave-flash" width="450" height="300" allowfullscreen="true"></embed></object>
<div style="display:block;">          <a href="http://www.blurb.com/bookstore/detail/1377889?ce=blurb_ew&#038;utm_source=widget" target="_blank" style="margin:12px 3px;">The Multiple Faces &#8211; 1-160 by Cerj Lalonde</a> | <a href="http://www.blurb.com/landing_pages/bookshow?ce=blurb_ew&#038;utm_source=widget" target="_blank" style="margin:12px 3px;">Make Your Own Book</a>        </div>
</div>
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		<slash:comments>9</slash:comments>
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			<media:title type="html">Cerj Lalonde</media:title>
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		<title>Interresting video: Neuroscience and Free Will&#8230;</title>
		<link>http://cerjlalonde.wordpress.com/2010/03/24/72/</link>
		<comments>http://cerjlalonde.wordpress.com/2010/03/24/72/#comments</comments>
		<pubDate>Wed, 24 Mar 2010 21:35:16 +0000</pubDate>
		<dc:creator>Cerj Lalonde</dc:creator>
				<category><![CDATA[Art]]></category>

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			<media:title type="html">Cerj Lalonde</media:title>
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		<title>The Future of Humanity in the Age of Superhuman Artificial Intelligence</title>
		<link>http://cerjlalonde.wordpress.com/2010/03/24/63/</link>
		<comments>http://cerjlalonde.wordpress.com/2010/03/24/63/#comments</comments>
		<pubDate>Wed, 24 Mar 2010 19:49:25 +0000</pubDate>
		<dc:creator>Cerj Lalonde</dc:creator>
				<category><![CDATA[Art]]></category>

		<guid isPermaLink="false">http://cerjlalonde.wordpress.com/2010/03/24/63/</guid>
		<description><![CDATA[As an artist, I am very interested in this subject matter: &#8220;This summer, Rutgers University plans to offer &#8220;Special Topics in Sociology: Singularity Studies, the first accredited college course on the Singularity and associated technologies. The three-credit summer course will feature online lectures and discussions every Monday and Wednesday evening throughout the summer and is [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cerjlalonde.wordpress.com&amp;blog=3677825&amp;post=63&amp;subd=cerjlalonde&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>
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<br />
As an artist, I am very interested in this subject matter:<br />
&#8220;This summer, Rutgers University plans to offer &#8220;Special Topics in Sociology: Singularity Studies, the first accredited college course on the Singularity and associated technologies.<br />
The three-credit summer course will feature online lectures and discussions every Monday and Wednesday evening throughout the summer and is available to students internationally.<br />
The textbook will be The Singularity is Near: When Humans Transcend Biology by Ray Kurzweil, supplemented by online articles appropriate to individual lectures.<br />
The course will feature online interviews with leading futurists and technologists around the world exploring the social implications of these anticipated developments. Topics include future studies and forecasting, finance and entrepreneurship, networks and computing systems, biotechnology and informatics, nanotechnology, neuroscience and human enhancement, artificial intelligence and robotics, energy and ecological systems, and space and physical sciences.<br />
The course will be taught by a father-son team, Ben and Ted Goertzel. Ben is the Director of Applied Research for the Singularity Institute for Artificial Intelligence and an External Research Professor at Xiamen University in China. He also heads up two startup companies, Novamente LLC and Biomind LLC, has written several books on artificial intelligence and related topics, and is an advisor to the AI &amp; Robotics Track at Singularity University.<br />
Ted, Ben&#8217;s father, is a sociology professor at Rutgers who regularly teaches a Cyberspace and Society course and is author or co-author of numerous books on sociology and science.<br />
Students and guest speakers will be recruited internationally. The sessions will be recorded and available for viewing during the semester via the Elluminate system.<br />
More info: Singularity Studies: The Future of Humanity in the Age of Superhuman Artificial Intelligence: http://mysite.verizon.net/tedgoertzel/Singularity2010.html &#8220;</p>
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			<media:title type="html">Cerj Lalonde</media:title>
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		<title>On The Subjectivity Of Art Appreciation</title>
		<link>http://cerjlalonde.wordpress.com/2010/03/15/on-the-subjectivity-of-art-appreciation/</link>
		<comments>http://cerjlalonde.wordpress.com/2010/03/15/on-the-subjectivity-of-art-appreciation/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 04:36:44 +0000</pubDate>
		<dc:creator>Cerj Lalonde</dc:creator>
				<category><![CDATA[Art]]></category>

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		<description><![CDATA[Christopher, Thank you as well for a first look on my site. And thanks for the reply. I love debate. I really do. I enjoy substantial (But not violent) exchanges of different points of view on any, really any subject matter. I just wish I had more time for it. I will. As you well [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cerjlalonde.wordpress.com&amp;blog=3677825&amp;post=62&amp;subd=cerjlalonde&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Christopher,<br />
Thank you as well for a first look on my site.<br />
And thanks for the reply.<br />
I love debate. I really do. I enjoy substantial (But not violent) exchanges of different points of view on any, really any subject matter. I just wish I had more time for it. I will.<br />
As you well just said, we will respectfully disagree on this specific statement of you: “I don&#8217;t need to understand the fundamentals of art, to say &#8220;I hate that painting” because art is subjective. Science is not inherently subjective.”<br />
I have to admit that my first surprise was to read, from a scientist (If I am not mistaken), “It is subjective, pure and simple.” “Pure and simple”?! “God has created the world in seven days: Pure and simple!” sure would say Sarah Palin. I don’t know you enough but I would assume you are not a dogmatic thinker which bases his judgment on a priori “pure and simple”. What I know for sure though is this “Pure and simple” (Kinda “Shut up and that is it because I say so”) has nothing to do with any basic, rudimental sort of scientific discussion or evaluation. Even when entertained with artists…<br />
The other surprise is to take ONE example (Pollock) to exhibit your point (Certainly not to prove it, would you admit?).<br />
You don’t have to mind of course, but personally, I would have no problem with a statement starting with “In my opinion, art appreciation is subjective.”<br />
Because your “example” of Pollock dear Christopher is an interesting one. I don’t know if you are aware, but all studies have shown that the overwhelming majority of people DO NOT love Pollock at first sight. I have personally experienced several times the real growth of appreciation and admiration of this same great artist’ work after having explained the process of its birth and the freedom that the all over dripping and throwing of paint on a canvas has offered and produced to so many following artists – and on the viewers themselves of course. Same experience with my own work. One of my collectors, for instance, who now has acquired more than thirty of my artwork could simply just not even look at it the first time he “saw”. I should say the first time he “encounters” because he was actually not “looking”. I helped him, as I did so many times (Because I enjoy following that process), first to “look” and, slowly and slowly, days and weeks after weeks, following the simple “Socratic principle” of asking questions about his looking, as well as  some, yes, historical and theoretical “education” of the reason of the “birth” of abstract art, slowly and slowly Christopher, that person became a fan and has now, as I said, more than 30 of my work. His wife once told me that he sometimes brings a chair few feet in front of a painting, in the middle of the night, to meditate on it. This is someone who used to “hate” abstract painting. I did “educated” many people who could not believe what they were missing before understanding.</p>
<p>(Apparently, my text is too long!! – Please continue on the following box – Thanks)</p>
<p>(Suite)<br />
Now: Of course not everyone needs to go through this cultural process. As I precisely indicated in the statement you so radically reject: “…you certainly MIGHT need some historical and theoretical context to understand and appreciate… or even MAYBE to understand why Pollock…” So it was not the dogmatic statement of an absolute principle. My thinking that “…you (One) certainly might need some historical and theoretical context to understand and appreciate…” some specific artwork is simply based on empirical experiments, repeated over and over. Ever heard about that method? It looks like what I have learned as being called “the scientific method”.<br />
And to cut it short here – I have a lot else to do – I would dare to hope that a good education and understanding of the rise of cubism (without which Pollock would have not rise) might eventually bring you to not only appreciate it, but to really enjoy it (I say “might” – but I am confident on your ability to reach that state).<br />
(To be continue…)</p>
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			<media:title type="html">Cerj Lalonde</media:title>
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		<title>Critical Writing and Publishing in Mainland China.</title>
		<link>http://cerjlalonde.wordpress.com/2010/03/08/critical-writing-and-publishing-in-mainland-china/</link>
		<comments>http://cerjlalonde.wordpress.com/2010/03/08/critical-writing-and-publishing-in-mainland-china/#comments</comments>
		<pubDate>Mon, 08 Mar 2010 22:19:28 +0000</pubDate>
		<dc:creator>Cerj Lalonde</dc:creator>
				<category><![CDATA[Art]]></category>

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		<description><![CDATA[From Keith Wallace: &#8220;My focus in this column is on the role of mass distributed publishing in mainland China – magazines, journals, and the like – in relation to critical writing, and by this I mean a form of writing, whether it be reviews or articles, that provides constructive, exploratory, and discursive analysis of current [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=cerjlalonde.wordpress.com&amp;blog=3677825&amp;post=60&amp;subd=cerjlalonde&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>From Keith Wallace: &#8220;My focus in this column is on the role of mass distributed publishing in mainland China – magazines, journals, and the like – in relation to critical writing, and by this I mean a form of writing, whether it be reviews or articles, that provides constructive, exploratory, and discursive analysis of current issues in contemporary Chinese art. I have purposely avoided including the word ‘objective’ in my list of qualifiers; while critical writers strive to be un-invested in addressing their subjects, they are challenged to keep the influence of subjectivity and personal beliefs at bay. My discussion may also have resonance in other regions of Asia, especially those recently entering a period of development of what might be called, in each particular context, contemporary art, and where critical discourse may be only in&#8230;&#8221;<br />
Continue here: http://www.aaa.org.hk/newsletter_detail.aspx?newsletter_id=807</p>
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			<media:title type="html">Cerj Lalonde</media:title>
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